Whereas noise in Western society alludes to something negative, the new work of up-and-coming choreographer Chara Kotsali explores the beneficial power of noise in the way to generate joy, solidarity, and a sense of community. Two bodies on stage, a potential extension of an endless human chain, engage in an unproductive dance, in a counter-concert dedicated to the pleasure of disintegration. Setting off from the political, anthropological, and philosophical aspects of noise and drawing inspiration from the noise music scene, Chara Kotsali invites us to attentively listen to the ‘noisy social bodies’ –those that disrupt the harmony of social consensus. Using noise as an artistic counterexample, the choreographer pays respects to all those noisy – cacophonous, incoherent, paradoxical, discordant, illiterate – voices that, no matter how powerfully articulated, in the end, must always make too much ‘noise’ to be heard.
Chara Kotsali was selected this year by the international dance platform Aerowaves as one of the 20 most promising young creatives of the year. Her first work to be possessed is currently touring all over Europe.
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Conception – Choreography – Text – Video editing Hara Kotsali • Performance – Material Design Christina Skoutela, Hara Kotsali • Assistant to Choreographer Vassia Zorbali • Dramaturgy Advisor Konstantina Georgelou • Music – Sound Design Yannis Kotsonis • Scenic design Hara Kotsali • Lighting design Eliza Alexandropoulou • Sound Advisor Brian Coon • Visual art design Periklis Pravitas • Costumes Erik Annerborn, Hara Kotsali • Executive Production Delta Pi
Artistic & scientific collaborators Giorgos Samantas, Dimitris Bourzoukos
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